Ref.: ATM 061
Date: 1999
(1) Live Bootleg
[77] mp3
Date: 1999
(1) Live Bootleg
[77] mp3
Notes
Source: Bootleg Addiction
Friday, December 01, 2017
Jimi Hendrix: Indianapolis '69
mp3 320 kbps
State Fairgrounds Coliseum Indianapolis, Indiana
05-11-1969
Audience
01 - Come On (Part 1)
02 - Hey Joe
03 - Stone Free
04 - Hear My Train A Comin'
05 - Fire
06 - Red House
07 - Foxy Lady
08 - Voodoo Child (Slight Return)
---
info.rtf
Jimi Hendrix - 05-11-1969 - State Fairgrounds Coliseum Indianapolis, Indiana
01 - Come On (Part 1)
02 - Hey Joe
03 - Stone Free
04 - Hear My Train A Comin'
05 - Fire
06 - Red House
07 - Foxy Lady
08 - Voodoo Child (Slight Return)
DAILY CAPITAL NEWS - ‘The experience isn’t so wild" by ‘Mark Cambell’?:
The Jimi Hendrix Experience, touring the country until the end of May, isn’t the wild and wooly experience it used to be.
The suggestive and beyond suggestive gestures on the stage and dousing the guitar with lighter fluid and setting it on fire aren’t being done this time around. Hendrix burned his guitar at Monterey Pop Festival in 1967, when he was an unknown, and got a good deal of publicity. Maybe it has served it’s purpose.
Hendrix says. “Pretty soon audiences were coming to see us just to see us do those things. It was gettting to be a drag. We didn’t feel like it at the time.
“We haven’t burned any guitars lately. We only did that about three times [actually only twice] – when I felt extra nice. I stopped doing it when getting too much publicity made us feel kind of uptight when we were on stage.
“The public was trying to get tired of us so they could go on to the next thing. They squeeze something until it is completely dry. I don’t want to be known as a rock star. We’rer trying to really and honestly get our music really together.
“At our concerts you mostly listen to it and feel what is happening, now. That is why we play more and move around less. We concentrate mostly on sound now. We get it to a mostly hypnotic sound for the audience. We play unbelievably loud, not piercing.
“it’s better than going to a riot. Feeling vibrations and letting loose at a place like that is like a soul-bending type of thing. It’s better than bending your soul in riots; you should never get to that point.
“Our music is part of blues-based on blues anyway. I call it electric church music. It’s a very hard and harsh and primitive sound, not necessarily good or bad or stoned. You’re going to get something out of it if you let you’re mind flow with it.
“It should be played outside where 100, 000 people can get together – the Grand Canyon or Central Park. That’s where an electric church is supposed to belong. There should be no barriers to this type of thing.”
What about the people who say that the group is still very sexy? “I think about sex a lot; it’s part of my nature, we have songs like ‘Foxy lady.’ If they get a sexy feeling out of it, it is great. At least we turned them on to something.”
Hendrix has written most of the songs performed by the Experience – himself, bassist Noel Redding and drummer Mitch Mitchell both English – on three Lps. “Are You Experienced?” “Axis Bold As Love,” and “Electric Ladyland.”
“But I feel there are certain songs from other people that I’d like to do, solely because we like them and think they might say something. We may record another Dylan tune, “Tears Of Rage.”
“In “All along The Watchtower” he said it so groovy. It’s our own arrangement though.”
Hendrix has been called “The black Elvis” in a couple of publications but he says he doesn’t like that. “It’s the establishment’s game. Pat us on the back and get rid of us quick. Squeeze the soul out of us and put us in cages for the rest of our lives. But we won’t be put in. We don’t pay attention to brand names like that.”
Hendrix from Seattle, learned the guitar while playing Muddy Waters records. The Jimi Hendrix Experience was formed soon after he went to London in 1966. Each of it’s three members sometimes performs outside the group. Redding, for instance, has formwed a group, the Fat Mattress, with which he performs part of the time.
“There were rumours about us breaking up and people were trying to break us up.
But that and other heavy hangups are finally solved for us now .”
---
http://infromthestorm.net/hendrix.html
Indianapolis '69 (ATM 061 / 1999 / 1CDR)
(Fairgrounds Coliseum, Indianapolis, IN 11.05.69) Aud; 1st Gen
notes:
- Taken from the "correct running order" tape made after copying the original 3 reel-to-reel tapes and trying to piece them all together.
- Refer to Jimpress issue 34 p.28-29 for a comprehensive review of this tape.
---
T0404 INDIANAPOLIS
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:52 Fire (79) 3:23
Hey Joe (66) 4:15 Red House (52) 12:28
Stone Free (18) 9:41 Foxy Lady (66) 4:18
Hear My Train A-Comin' (24) 10:46 Voodoo Child (Slight Return) (54) 8:49
cassette
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 4th gen. copy via DAT
Filler: stereo mixes by T.G.:
I Don't Live Today (11/28/68) 7:14
Hear My Train (11/28/68) (inc. e.) 2:51
Red House (9/3/70) (inc. e) 3:25
T0405 INDIANAPOLIS (Copy 2)
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:53 Fire (79) 3:25
Hey Joe (66) 4:17 Red House (52) 12:36
Stone Free (18) 9:46 Foxy Lady (66) 4:24
Hear My Train A-Comin' (24) 10:53 Voodoo Child (Slight Return) (54) 8:55
cassette
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 2nd gen. copy
Filler: Santana, Sunrise, FL, 20th Anniversary Reunion (11:54)
Healer 5:14
Smooth Criminal 6:15
T0406 INDIANAPOLIS (Copy 3)
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:44 Fire (79) 3:18
Hey Joe (66) 4:08 Red House (52) 12:04
Stone Free (18) 9:25 Foxy Lady (66) 4:18
Hear My Train A-Comin' (24) 10:31 Voodoo Child (Slight Return) (54) 8:35
BT-0061
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 1st gen. copy
Friday, December 01, 2017
Jimi Hendrix: Indianapolis '69
mp3 320 kbps
State Fairgrounds Coliseum Indianapolis, Indiana
05-11-1969
Audience
01 - Come On (Part 1)
02 - Hey Joe
03 - Stone Free
04 - Hear My Train A Comin'
05 - Fire
06 - Red House
07 - Foxy Lady
08 - Voodoo Child (Slight Return)
---
info.rtf
Jimi Hendrix - 05-11-1969 - State Fairgrounds Coliseum Indianapolis, Indiana
01 - Come On (Part 1)
02 - Hey Joe
03 - Stone Free
04 - Hear My Train A Comin'
05 - Fire
06 - Red House
07 - Foxy Lady
08 - Voodoo Child (Slight Return)
DAILY CAPITAL NEWS - ‘The experience isn’t so wild" by ‘Mark Cambell’?:
The Jimi Hendrix Experience, touring the country until the end of May, isn’t the wild and wooly experience it used to be.
The suggestive and beyond suggestive gestures on the stage and dousing the guitar with lighter fluid and setting it on fire aren’t being done this time around. Hendrix burned his guitar at Monterey Pop Festival in 1967, when he was an unknown, and got a good deal of publicity. Maybe it has served it’s purpose.
Hendrix says. “Pretty soon audiences were coming to see us just to see us do those things. It was gettting to be a drag. We didn’t feel like it at the time.
“We haven’t burned any guitars lately. We only did that about three times [actually only twice] – when I felt extra nice. I stopped doing it when getting too much publicity made us feel kind of uptight when we were on stage.
“The public was trying to get tired of us so they could go on to the next thing. They squeeze something until it is completely dry. I don’t want to be known as a rock star. We’rer trying to really and honestly get our music really together.
“At our concerts you mostly listen to it and feel what is happening, now. That is why we play more and move around less. We concentrate mostly on sound now. We get it to a mostly hypnotic sound for the audience. We play unbelievably loud, not piercing.
“it’s better than going to a riot. Feeling vibrations and letting loose at a place like that is like a soul-bending type of thing. It’s better than bending your soul in riots; you should never get to that point.
“Our music is part of blues-based on blues anyway. I call it electric church music. It’s a very hard and harsh and primitive sound, not necessarily good or bad or stoned. You’re going to get something out of it if you let you’re mind flow with it.
“It should be played outside where 100, 000 people can get together – the Grand Canyon or Central Park. That’s where an electric church is supposed to belong. There should be no barriers to this type of thing.”
What about the people who say that the group is still very sexy? “I think about sex a lot; it’s part of my nature, we have songs like ‘Foxy lady.’ If they get a sexy feeling out of it, it is great. At least we turned them on to something.”
Hendrix has written most of the songs performed by the Experience – himself, bassist Noel Redding and drummer Mitch Mitchell both English – on three Lps. “Are You Experienced?” “Axis Bold As Love,” and “Electric Ladyland.”
“But I feel there are certain songs from other people that I’d like to do, solely because we like them and think they might say something. We may record another Dylan tune, “Tears Of Rage.”
“In “All along The Watchtower” he said it so groovy. It’s our own arrangement though.”
Hendrix has been called “The black Elvis” in a couple of publications but he says he doesn’t like that. “It’s the establishment’s game. Pat us on the back and get rid of us quick. Squeeze the soul out of us and put us in cages for the rest of our lives. But we won’t be put in. We don’t pay attention to brand names like that.”
Hendrix from Seattle, learned the guitar while playing Muddy Waters records. The Jimi Hendrix Experience was formed soon after he went to London in 1966. Each of it’s three members sometimes performs outside the group. Redding, for instance, has formwed a group, the Fat Mattress, with which he performs part of the time.
“There were rumours about us breaking up and people were trying to break us up.
But that and other heavy hangups are finally solved for us now .”
---
http://infromthestorm.net/hendrix.html
Indianapolis '69 (ATM 061 / 1999 / 1CDR)
(Fairgrounds Coliseum, Indianapolis, IN 11.05.69) Aud; 1st Gen
notes:
- Taken from the "correct running order" tape made after copying the original 3 reel-to-reel tapes and trying to piece them all together.
- Refer to Jimpress issue 34 p.28-29 for a comprehensive review of this tape.
---
T0404 INDIANAPOLIS
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:52 Fire (79) 3:23
Hey Joe (66) 4:15 Red House (52) 12:28
Stone Free (18) 9:41 Foxy Lady (66) 4:18
Hear My Train A-Comin' (24) 10:46 Voodoo Child (Slight Return) (54) 8:49
cassette
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 4th gen. copy via DAT
Filler: stereo mixes by T.G.:
I Don't Live Today (11/28/68) 7:14
Hear My Train (11/28/68) (inc. e.) 2:51
Red House (9/3/70) (inc. e) 3:25
T0405 INDIANAPOLIS (Copy 2)
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:53 Fire (79) 3:25
Hey Joe (66) 4:17 Red House (52) 12:36
Stone Free (18) 9:46 Foxy Lady (66) 4:24
Hear My Train A-Comin' (24) 10:53 Voodoo Child (Slight Return) (54) 8:55
cassette
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 2nd gen. copy
Filler: Santana, Sunrise, FL, 20th Anniversary Reunion (11:54)
Healer 5:14
Smooth Criminal 6:15
T0406 INDIANAPOLIS (Copy 3)
Recorded: 5/11/69
Come On (Pt. 1) (13) 4:44 Fire (79) 3:18
Hey Joe (66) 4:08 Red House (52) 12:04
Stone Free (18) 9:25 Foxy Lady (66) 4:18
Hear My Train A-Comin' (24) 10:31 Voodoo Child (Slight Return) (54) 8:35
BT-0061
Recorded live at the State Fairgrounds Coliseum, Indianapolis, 5/11/69, with Noel Redding (b) and Mitch Mitchell (d). 1st gen. copy