Ref.: ZAIKS BIEM B.P. 014
Date: 1996
Musicians: with Lonnie Youngblood
Altaya
(1) Compilation
[66] flac albumwrap
Date: 1996
Musicians: with Lonnie Youngblood
Altaya
(1) Compilation
[66] flac albumwrap
Tracks
(albumwrap). (albumwrap) info
Notes
Source: eMule
Original archive name: Jimi Hendrix - The Early Years.EAC.FLAC.CUE.Cvrs.rar
Original folder name: [BM 14] Jimi Hendrix - The Early Years.EAC.FLAC.CUE.Cvrs
---
Tracks.TXT
CD: Jimi Hendrix - The Early Years
01. Go-Go Shoes [0:02:52.45]
02. Go-Go Place [0:02:06.72]
03. Soul Food (That's What I Like) [0:03:31.70]
04. Under The Table 1 [0:04:31.30]
05. Under The Table 2 [0:02:53.30]
06. Goodbye, Bessie May [0:02:27.73]
07. Two In One Goes [0:02:16.20]
08. Wipe The Sweat 1 [0:02:51.42]
09. Wipe The Sweat 2 [0:03:33.18]
10. Wipe The Sweat 3 [0:02:46.00]
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http://www.gemm.com/item/HENDRIX-c-JIMI/THE--EARLY--YEARS/GML915775447/
TRACKS: Mestres do blues n.14
Price: $11.80
Category: BLUES
Media: CD
Label: ALTAYA
Manufactured: ES SPAIN
Release Date: 1/1/96
Condition of Media: EX "Excellent" (See this seller's Grading Policies)
Availability: ONE IN STOCK
Last Updated: 2/3/10
Seller Item Ref #: bb014 (Use this when discussing item with this seller.)
GEMM Reference #: GML915775447
---
P229 THE EARLY YEARS
Recorded: mid 1966 A355,58 19 Released: Summer 1994
* Go Go Shoes (2) 2:49 * Goodbye Bessie Mae (2) 2:24
* Go Go Place (2) 2:02 * Two in One Goes (1) 2:13
* Soul Food (2) 3:28 * Wipe the Sweat (take 1 (1)) 2:47
* Under the Table (take 1 (3)) 1:33 + 2:53 * Wipe the Sweat (take 2 (1)) 3:29
* Under the Table (take 2 (1)) 2:49 * Wipe the Sweat (take 3 (1)) 2:45
Released by: Charly / CD (Eng) CDCD-1189
Also released as: EARLY DAZE (Hallmark/Charly / CD 304-182 (1996)); part of GROOVE MAKER (Dressed to Kill / CD (U.K.) DTKBOX81 (1998))
Note: Where G lists "Under the Table" take 1 (4), J lists "Under the Table" take 1 (3)
---
GO GO SHOES
(s, NYC) mid 1966 with Lonnie Youngblood incomplete, mono (3) [S309]
P167) GO GO SHOES / GO GO PLACE 2:35
P217) ROCK LEGENDS (bootleg) 2:34
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:34
T5) FRIENDS FROM THE BEGINNING 2:34
T23) THE OBSCURE SINGLES 2:34
T24) "DRIVIN' SOUTH" 2:34
T28) THE JIMMY JAMES SINGLES COLLECTION 2:34
P240) TWO GREAT EXPERIENCES / CD 2:33
(s, NYC) mid 1966 with Lonnie Youngblood complete, mono (1) [S324]
P190) FOR REAL 2:48
(s, NYC) mid 1966 with Lonnie Youngblood complete, simulated stereo (2) [S329]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as GO GO SHOES PART 1)
P180) RARE HENDRIX 2:46
(as GO GO SHOES PART I)
HENDRIX 66 2:49
SUPER HENDRIX
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 2:49
P188) THE VERY BEST OF JIMI HENDRIX 2:48
(as GO GO SHOES, PART I)
P193) GOOD TIMES (Intercord/Star Power)
P197) FLASHBACK (51 West) 2:44
P210) COUNTDOWN
P221) MASTERPIECES / CD
GREATEST HITS / CD (Pulsar)
P222) GOOD FEELING / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:49
GROOVE MAKER / CD
P234) RARE HENDRIX / CD
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P240) TWO GREAT EXPERIENCES / CD 2:47
B133a) COLLECTION / CD
T22) FROM THE BEGINNING TO THE START 2:46
Note: The first 5 seconds of Jimi's guitar intro from this track is found at the start of the otherwise fake
GOOD FEELING
GO GO PLACE
(s, NYC) mid 1966 with Lonnie Youngblood incomplete, mono (1) [S310]
P167) GO GO SHOES / GO GO PLACE 1:48
P217) ROCK LEGENDS (bootleg) 1:48
P240) TWO GREAT EXPERIENCES / CD 1:46
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 1:48
T5) FRIENDS FROM THE BEGINNING 1:48
T23) THE OBSCURE SINGLES 1:47
T24) "DRIVIN' SOUTH" 1:47
T28) THE JIMMY JAMES SINGLES COLLECTION 1:47
(s, NYC) mid 1966 with Lonnie Youngblood complete, simulated stereo (2) [S330]
P180) RARE HENDRIX 2:04
(as GO GO SHOES PART II)
HENDRIX 66 2:05
SUPER HENDRIX
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P188) THE VERY BEST OF JIMI HENDRIX 2:01
(as GO GO SHOES, PART II)
P203) JIMI HENDRIX 2:03
(stated incorrectly as GO GO SHOES)
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:02
GROOVE MAKER / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 2:01
T22) FROM THE BEGINNING TO THE START 2:01
SOUL FOOD
(s, NYC) mid 1966 with Lonnie Youngblood mono (1) [S311]
P168) SOUL FOOD (THAT'S WHAT I LIKE) / GOODBYE, BESSIE MAE 2:46
P217) ROCK LEGENDS (bootleg) 2:47
P231) THE LEGEND / CD
P240) TWO GREAT EXPERIENCES / CD 2:46
(with some added reverb)
B144) THE GOLD COLLECTION / CD
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:47
T22) FROM THE BEGINNING TO THE START 2:43
T23) THE OBSCURE SINGLES 2:46
T28) THE JIMMY JAMES SINGLES COLLECTION 2:46
(s, NYC) mid 1966 with Lonnie Youngblood longer, different (vo), stereo (2) [S317]
P141) THE PSYCHEDELIC VOODOO CHILD / CD
P172) TWO GREAT EXPERIENCES TOGETHER! 3:34
(as ALL I WANT)
ROOTS OF HENDRIX 3:31
(as ALL I WANT)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 3:35
(as ALL I WANT)
P193) GOOD TIMES (Intercord/Star Power)
(as ALL I WANT)
P194) HENDRIX 3:27
(as ALL I WANT)
P199) FREE SPIRIT (Accord) 3:31
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 3:31
P203) JIMI HENDRIX 3:30
(as ALL I WANT)
P207) JIMI HENDRIX (Image)
(as ALL I WANT)
P216) GANGSTER OF LOVE / CD
P219) EXPERIENCES / CD
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P227) HOT TRIGGER / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 3:28
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P240) TWO GREAT EXPERIENCES / CD 3:27
E24b) GOLD / CD
B61) SUPERSESSION / CD
GUITAR HERO / CD
B133a) COLLECTION / CD
B338) JIMI / A MUSICAL LEGACY / CD
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but simulated stereo (5)
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 3:35
(as ALL I WANT)
P177) SEGWAY III / ALL I WANT
(as ALL I WANT)
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but narrower stereo, heavier echo (4) [S317]
P140) STRANGE THINGS / CD
JIMI HENDRIX THE COLLECTION / CD
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but edited to run longer (3) [S317]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P175) JIMI HENDRIX (Visadisc)
(as ALL I WANT)
P205) 16 GREAT SONGS
(as ALL I WANT)
P211) LA GRANDE STORIA DEL ROCK VOL. 31: JIMI HENDRIX
P215) SUPER STAR: JIMI HENDRIX
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
UNDER THE TABLE
(s, NYC) mid 1966 with Lonnie Youngblood mono, start only (take 1 (1), Interlude) [S318], [S326]
P172) TWO GREAT EXPERIENCES TOGETHER! 0:39
TWO GREAT EXPERIENCES TOGETHER! (Chess)
P195) ATTENTION! JIMI HENDRIX! 0:39
(as INTERLUDE)
FACES AND PLACES VOL. 12
(s, NYC) mid 1966 with Lonnie Youngblood simulated stereo, start only (take 1 (6)) [S318], [S326]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 0:38
(s, NYC) mid 1966 with Lonnie Youngblood stereo, complete, sax o/d (take 1 (2)) [S319]
P172) TWO GREAT EXPERIENCES TOGETHER! (Chess)
P195) ATTENTION! JIMI HENDRIX! 2:49
FACES AND PLACES VOL. 12
P203) JIMI HENDRIX 2:39
(incomplete)
P222) GOOD FEELING / CD
(s, NYC) mid 1966 with Lonnie Youngblood stereo, inc. + complete part, w/ engineer (take 1 (4)) [S319]
P172) TWO GREAT EXPERIENCES TOGETHER! 1:35+2:48
(as TABLE II)
(s, NYC) mid 1966 with Lonnie Youngblood sim. stereo, inc. + complete part (take 1 (7)) [S319]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 1:36, 2:49
(as TABLE II)
(s, NYC) mid 1966 with Lonnie Youngblood stereo, inc. + complete part, no "engineer" (take 1 (3)) [S326]
P172) ROOTS OF HENDRIX 1:33, 2:48
(as UNDER THE TABLE PART 1)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P186) IN CONCERT 1:33
(as UNDER THE TABLE PART 2; first incomplete version only)
half of 16 GREATEST HITS - HENDRIX
(first incomplete version only)
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 1:33, 2:48
(as UNDER THE TABLE PART I)
P197) FLASHBACK (51 West) 1:32, 2:44
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 1:33, 2:53
GROOVE MAKER / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 1:32, 2:45
(s, NYC) mid 1966 with Lonnie Youngblood mono, inc. + complete part, no "engineer" (take 1 (5)) [S326]
P190) FOR REAL 1:33, 2:47
(as UNDER THE TABLE PT. 1)
P191) FOR REAL (Mag)
(as UNDER THE TABLE PT. 1)
P204) KALEIDOSCOPE 2:51
(as NOBODY CAN CHANGE ME; complete take only)
P221) MASTERPIECES / CD
(as NOBODY CAN CHANGE ME; complete take only)
GREATEST HITS / CD (Pulsar)
(as NOBODY CAN CHANGE ME; complete take only)
(s, NYC) mid 1966 with Lonnie Youngblood mono, no sax o/d (take 2 (2)) [S328]
P141) THE PSYCHEDELIC VOODOO CHILD / CD
P190) FOR REAL 2:49
(as UNDER THE TABLE PT. 2)
P191) FOR REAL (Mag)
(as UNDER THE TABLE PT. 2)
P231) THE LEGEND / CD
B134) JIMI HENDRIX / CD (Weton-Wesgram)
(s, NYC) mid 1966 with Lonnie Youngblood stereo, with sax o/d (take 2 (1)) [S320]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:51
(as TABLE III)
ROOTS OF HENDRIX 2:49
(as UNDER THE TABLE PART 2)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 2:49
(as UNDER THE TABLE PART II)
P192) 16 GREATEST HITS 1:44
(as UNDER THE TABLE, PT. 2; incomplete end)
P194) HENDRIX 1:45
(as UNDER THE TABLE, PT. 2; incomplete end)
P199) FREE SPIRIT (Accord) 2:49
(as VOICE IN THE WIND)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:48
(as VOICE IN THE WIND)
P216) GANGSTER OF LOVE / CD
P219) EXPERIENCES / CD
(as VOICE IN THE WIND)
P220) VOODOO CHILE 2:45
JIMI HENDRIX / CD (Starburst)
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:49
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
E24b) GOLD / CD
E24a) JIMI HENDRIX / CD (Everest)
19 GREAT PERFORMANCES / CD
B133a) COLLECTION / CD
B133) HENDRIX IN WORDS AND MUSIC / CD
(s, NYC) mid 1966 with Lonnie Youngblood simulated stereo, with sax o/d (take 2 (4)) [S320]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:52
(as TABLE III)
(s, NYC) mid 1966 with Lonnie Youngblood stereo as (1), but edited to run longer (take 2 (3)) [S328]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:46
(as VOICE IN THE WIND; incomplete)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P142) THE GREAT JIMI HENDRIX / CD
P173) WIPE THE SWEAT / UNDER THE TABLE
P185) JIMI HENDRIX (Diresa)
P196) THE JIMI HENDRIX COLLECTION
P205) 16 GREAT SONGS
P218) JIMI HENDRIX (Musivoz)
GOODBYE BESSIE MAE
(s, NYC) mid 1966 with Lonnie Youngblood complete, mono, with (hv) (1) [S312]
P168) SOUL FOOD (THAT'S WHAT I LIKE) / GOODBYE, BESSIE MAE 2:30
P217) ROCK LEGENDS (bootleg) 2:31
P240) TWO GREAT EXPERIENCES / CD 2:29
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:31
T22) FROM THE BEGINNING TO THE START 2:31
T23) THE OBSCURE SINGLES 2:29
T28) THE JIMMY JAMES SINGLES COLLECTION 2:30
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, mono, no (hv) (2) [S316]
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:24
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 2:22
B134a) JIMI HENDRIX / CD (Weton-Wesgram)
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, mono, no (hv) (3) [S316]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:23
(as BESSIE MAE)
ROOTS OF HENDRIX 2:25
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:26
(stated incorrectly as TWO IN ONE GOES)
P184) JIMI HENDRIX 2:28
P190) FOR REAL 2:24
P194) HENDRIX 2:23
P199) FREE SPIRIT (Accord) 2:22
(as BESSIE MAE)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:23
(as BESSIE MAE)
P220) VOODOO CHILE 2:22
JIMI HENDRIX / CD (Starburst)
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
E24a) JIMI HENDRIX / CD (Everest)
B61) SUPERSESSION / CD
GUITAR HERO / CD
B338) JIMI / A MUSICAL LEGACY / CD
Note: G says that JIMI / A MUSICAL LEGACY contains "Goodbye Bessie Mae" (1), rather
than "Goodbye Bessie Mae" (3)
Note: mixes (2) and (3) seem to be identical. originally (3) was a mono mix of (2) but there seems
to be no stereo mix.
(s, NYC) mid 1966 with Lonnie Youngblood as (3), but edited to run longer (4) [S316]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:07
(incomplete)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, no (hv) (2 or 3) [S316]
P231) THE LEGEND / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P175) JIMI HENDRIX (Visadisc)
P193) GOOD TIMES (Intercord/Star Power)
P205) 16 GREAT SONGS
P214) LA GRANDE STORIA DEL ROCK VOL. 80: JIMI HENDRIX
P239) SHE'S A FOX / CD (Success)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
TWO IN ONE GOES
(s, NYC) mid 1966 with Jimmy Norman & Lonnie Youngblood original single vocal mix, mono (3)
P166) THAT LITTLE OLD GROOVEMAKER / YOU'RE ONLY HURTING YOURSELF 2:12
(as YOU'RE ONLY HURTING YOURSELF)
T28) THE JIMMY JAMES SINGLES COLLECTION 2:12
(s, NYC) mid 1966 with Lonnie Youngblood stereo, instrumental mix (1)
P172) TWO GREAT EXPERIENCES TOGETHER! 2:18
ROOTS OF HENDRIX 2:17
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P193) GOOD TIMES (Intercord/Star Power)
P203) JIMI HENDRIX 1:58
(stated incorrectly as GOODBYE (BESSIE MAE); incomplete end)
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:13
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P238) ...AT HIS BEST / CD
E24a) JIMI HENDRIX / CD (Everest)
19 GREAT PERFORMANCES / CD
(s, NYC) mid 1966 with Lonnie Youngblood mono, instrumental mix (2)
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:17
(stated incorrectly as BASSIE MAE)
P178) TWO IN ONE GOES / PSYCHO
WIPE THE SWEAT
(s, NYC) mid 1966 with Lonnie Youngblood with stereo o/d (take 1 (1)) [S313]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as COME ON BABY PART 1)
P172) TWO GREAT EXPERIENCES TOGETHER! 2:50
ROOTS OF HENDRIX 2:49
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 2:50
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 2:49
P192) 16 GREATEST HITS 2:44
P194) HENDRIX 2:43
P195) ATTENTION! JIMI HENDRIX! 2:50
FACES AND PLACES VOL. 12
P197) FLASHBACK (51 West) 2:45
P202) COSMIC TURNAROUND 2:49
(as COME ON BABY I)
P203) JIMI HENDRIX 2:46
P222) GOOD FEELING / CD
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:47
GROOVE MAKER / CD
P232) NIGHT LIFE
PSYCHO / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P235) YOU GOT IT / CD
(as COME ON BABY PART 1)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
(as COME ON BABY (PART 1))
(s, NYC) mid 1966 with Lonnie Youngblood mono, no o/d (take 1 (2)) [S325]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:50
P190) FOR REAL 2:47
(s, NYC) mid 1966 with Lonnie Youngblood mono, vocals and o/ds mixed way down (take 1 (3)) [S325]
P240) TWO GREAT EXPERIENCES / CD 2:47
(s, NYC) mid 1966 with Lonnie Youngblood with o/d (take 2 (1)) [S314]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as COME ON BABY PART 1)
P172) TWO GREAT EXPERIENCES TOGETHER! 3:31
(as SEGWAY II)
ROOTS OF HENDRIX 3:30
(as SEGUE I)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P202) COSMIC TURNAROUND 3:29
(as COME ON BABY II)
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 3:29
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P235) YOU GOT IT / CD
(as COME ON BABY PART 2)
P240) TWO GREAT EXPERIENCES / CD 3:28
E24a) JIMI HENDRIX / CD (Everest)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
(as COME ON BABY (PART 2))
(s, NYC) mid 1966 with Lonnie Youngblood mono mix (take 2 (2)) [S327]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 3:31
(as SEGWAY II)
P190) FOR REAL 3:28
(as MORE SWEAT)
P232) NIGHT LIFE
PSYCHO / CD
(s, NYC) mid 1966 with Lonnie Youngblood with o/d, mono (take 3 (1)) [S315]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:45
(as SEGWAY III)
ROOTS OF HENDRIX 2:45
(as SEGUE II)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:45
(as SEGWAY III)
P177) SEGWAY III / ALL I WANT
(as SEGWAY III)
P199) FREE SPIRIT (Accord) 2:41
(as WHIPPER)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:42
(as WHIPPER)
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P227) HOT TRIGGER / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:45
GROOVE MAKER / CD
P231) THE LEGEND / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P240) TWO GREAT EXPERIENCES / CD 2:43
(s, NYC) mid 1966 with Lonnie Youngblood with o/d, edited to run longer (take 3 (3)) [S315]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:56
(as WHIPPER)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
Note: this version is one channel of the stereo mix to get rid of most of the overdubs.
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P173) WIPE THE SWEAT / UNDER THE TABLE
(as WIPE THE SWEAT (OFF MY BROW))
P185) JIMI HENDRIX (Diresa)
P205) 16 GREAT SONGS
P207) JIMI HENDRIX (Image)
P211) LA GRANDE STORIA DEL ROCK VOL. 31: JIMI HENDRIX
P213) LA GRANDE STORIA DEL ROCK VOL. 60: JIMI HENDRIX
P239) SHE'S A FOX / CD (Success)
P239) SHE'S A FOX / CD (Success)
P239) SHE'S A FOX / CD (Success)
see also SWEET THANG
see also KEEP THE FAITH, BABY
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http://www.earlyhendrix.com/youngblood-dates-and-personnel
Dates & personnel
Information given on the various lp & cd releases of these tracks is very inaccurate & confusing, but I'll try to make some sense of it here…
Dates
The recording details given on album liner notes for the Youngblood tracks are often variations of the following:
Produced by Johnny Brantley & Lee Moses
Engineer: Abe Steinberg
Recorded at Abtone recording studios, New York 10 June 1966
This has been considered false information because the Youngblood "Go go shoes" single has a release date of 1963 on the label. But this seems not to be the actual release date of the single:
According to a Fairmount discography page at freespace.virgin.net/rachel.wilson/fairmount.html (now offline) the label released their first title in march 1963, and closed shop in january 1965. I've found two labels with higher catalog number than the undated "Soul food" single (1022), namely 1023 & 1024, and both have 1963 as the date on the label. So thus both of the Youngblood singles appear to have been released in 1963.
There are several things that suggest that the two singles were actually
released much later than 1963.
1. Kees De Lange wrote in the book "Plug Your Ears" that on the single "Sweet Thang" is a reference to Miniskirts and on the single "Go Go Shoes / Go Go Place" Boogaloo is mentioned, both of which became popular in New York around 1965. "Go Go Shoes" also mentions "the Jerk", another dance that became popular circa 1965 (read more about it in the Rosa Lee Brooks -section)
2. A third Youngblood single exists, which doesn't feature Hendrix, "The grass (will always sing for you) / Wooly Bully" was released as Fairmount 1016 (no date on label), which falls between the catalog numbers of the other two singles. The B-side was originally released by Sam The Sham And The Pharaohs in march 1965 on the single "Wooly Bully / Ain't Gonna Move" (MGM K13322), so how is it possible that a Youngblood cover would have been released on Fairmount before the original release came out?
3. There is a version of the "Soul food (that's a what I like)" single on a black & blue fairmount label, with a 1963 date on the label. As this single has a higher catalog number than the single with Youngblood's version of "Woolly bully" this date clearly can't be correct.
4. A test pressing for an Evie Sands 45 "Picture Me Gone / It Makes Me Laugh" (Cameo 413) was sold on eBay in 2003. According to the seller "The label is blank although you can make out a faint impression of a Lonnie Youngblood Fairmont release", thus this disc was being pressed around the same time as one of the Youngblood 45s (Fairmount was a subsidiary of Cameo Parkway). The test pressing was in a plain sleeve with "5-31-66" written on it, thus suggesting it dates from 31st of May 1966.
5. The 1963-dates on the labels have been printed separately from the credits. These move around on the various labels, sometimes well apart from the credits, sometimes overlapping them. Also, the date has been pressed using a different ink (look closely at the pic below), all of this suggests that the labels were pre-printed with a 1963 date and the credits on the various single labels were added apart. Could be that Fairmount had seriously over-estimated the demand for their product and were stuck with a big surplus of labels, printing new ones with a correct date would have meant loss of money.
Label
So it seems that the dates on the Fairmount labels aren't correct, nor the info that Fairmount would have been closed down by January 1965. A US record guide also gives the dates for these singles as follows:
"Go go shoes / Go go place" Fairmount F-1002 - 1966
"The grass (will always sing for you) / Wooly Bully" Fairmount F-1016 - 1966
"Soul food (That's a What I Like) / Goodbye, Bessie Mae" Fairmount F-1022 - 1967
Exactly when these tracks were recorded is unknown, but they are probably from around the same time as the other existing Brantley sessions tracks ie from sometime early 1966.
The label of the Billy LaMont "Sweet thang" -single gives J.Brantley as the Producer, so that is correct.It doesn't mention Lee Moses. I suspect he participated in the "post-production" of these tracks, that is the wiping and overdubbing part when they were prepared for release in the 70s on lps such as "Moods".
It's also been thought that the tracks were recorded in Philadelphia, the Fairmount label being based in that city. Lonnie Youngblood said in an interview published in Univibes issue #24, asked about whether these tracks were recorded in Philadelphia, that they were recorded in New York on 8-track at Abtone recording studios, Broadway between 55th and 56th [street] on the second floor.
It is likely that the songs weren't recorded with a contract for release already in hand, but instead completed first and then circulated around record companies to find someone interested in releasing them. The fact that Brantley produced songs appear at least on such labels as Maple, 20th Century Fox, Samar, Bran-T and Trip supports this theory, plus the fact that "Sweet thang" was only released some 2 years after it was recorded.
The engineers name seems correct too, as Abtone probably is a play on the engineers name "Abe", if this was a small studio the owner might well have been working as an engineer without much or any other staff employed.
But t hese same recording credits are also given for "fake", Billy LaMont, The Icemen & Jimmy Norman tracks, and songs that appeared on the Fairmount singles, which makes taking them seriously a bit hard. Obviously Brantley wouldn't have been too keen on giving accurate info about these recordings as he was trying to pass them along as something which they weren't, so the accuracy of any of the information given by him remains suspect. It's definately hard to believe that all these different songs would have been recorded during one day, but since there is no other information available there is no other option but to belive that at least some ofthem were recorded on the date & location given.
personnel
Musicians appearing on the tracks are usually given as:
Jimi Hendrix: guitar and vocals
Lonnie Youngblood: saxophone and vocals
Herman Hitson: guitar
Lee Moses: guitar
I find it very doubtful that Lee Moses or Herman Hitson play on any of these tracks. All confirmed information suggest that they are strongly connected to the fake songs instead, see that section for more information. Why they got credited on so many releases is a complete mystery. The actual musicians on these recordings that I know of consist of:
Jimi Hendrix: guitar and vocals
Lonnie Youngblood: saxophone and vocals
May Thomas: background vocals
Ace Hall: possibly bass on some tracks
Napoleon Anderson (aka Hank anderson): possibly bass on some tracks
See the "Recordings" -section to see details of the mixes & musicians.
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http://www.earlyhendrix.com/youngblood-solo-recordings
Solo recordings
Details about when these tracks were recorded and whose playing on them are very hazy resulting in frequent apperances by "?".
Go Go Shoes
Composers: May Thomas - Lonnie Thomas (aka Lonnie Youngblood) - Ace Hall
Arranged by: Lonnie Youngblood
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Backing vocals: May Thomas
Drums: ?
Bass: Ace Hall?
Tambourine: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Mix 1 (2.34)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Go Go Shoes / Go Go Place (Fairmount Records F-1002).
Mix 2 (2.49)
Mono version only. This runs c. 13 seconds longer than the single mix which is cut just before Youngblood says "play some more". This is a different mix compared to the single version, tambourine mixed down, some of the backing sax parts are mixed out, and some guitar parts are different. Easy to hear when comparing the guitar part around the point when Youngblood says "come on and let me see you work" at c. 1.30. There is a "stereo" mix which is only a mono track mixed into one channel and echo on the other one.
Available on: "Stereo" version - Cd "The Early Years" (Classic Rock CDCD 1189)
Mono version - Lp "For real!" (DJLMD 8011)
Go Go Place
Composers: May Thomas - Lonnie Thomas (aka Lonnie Youngblood) - Ace Hall
Arranged by: Lonnie Youngblood
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Drums: ?
Bass: Ace Hall?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
A continuation of "Go Go Shoes", though there is a short piece of music missing between the two.
Mix 1 (1.48)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Go Go Shoes / Go Go Place (Fairmount Records F-1002).
Mix 2 (2.02)
A "stereo" mix, which is only a mono track mixed into one channel and echo on the other one. This runs c. 14 seconds longer than the single mix which is cut a few seconds after Youngblood says "blow your horn Youngblood, blow your horn". This is a different mix compared to the single version, some of the backing sax parts are mixed out, and some extra guitar parts added. Easy to hear when comparing to the last few seconds before the single version fades out.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
Soul food (That's a What I Like)
Composers: Lonnie Thomas (aka Lonnie Youngblood) - Napoleon Anderson (aka Hank Anderson)
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Percussion: ?
Drums:?
Bass: Napoleon Anderson (aka Hank Anderson) ?
Organ: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Take 1 (2.46)
Available on: 7" Lonnie Youngblood: Soul food (That's a What I Like) / Goodbye, Bessie Mae (Fairmount Records F-1022).
Take 2 (3.28)
Stereo mix. This is a very different version. Drums are lower in the mix, only one of the two guitar parts is present here, the single version has unaccomppanied intro sung by Youngblood whereas this version starts directly with music and runs much longer. Less vocal parts & different lyrics.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
(A version of this track released on the cd "The Collection" (Object OR0071) has been said to be an alternate stereo mix, but this sounds like the same mix to my ears. On this cd the sound quality is a bit worse than usual, and the track has been altered with the channel that has the congas lower and the stereo image much narrower. Either this has been done on purpose or it's a consequence of using a poor quality tape for the mastering of this cd, in any case it's not really a different mix.)
Goodbye, Bessie Mae
Composer: Lonnie Thomas (aka Lonnie Youngblood)
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Backing vocals: ?
Drums: ?
Bass: ?
Tambourine: ?
Piano: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Mix 1 (2.31)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Soul food (That's a What I Like) / Goodbye, Bessie Mae (Fairmount Records F-1022).
Mix 2 (2.24)
Mono mix. Tambourine mixed up, backing vocals mixed out, shorter than the single version as it fades out c. 6 seconds earlier just as Youngblood starts to says "go ahead jimmy play the blues baby" and Hendrix goes into a solo.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
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http://www.earlyhendrix.com/youngblood-backing-tracks
Backing tracks
In addition to the solo recordings released under Lonnie Youngbloods name on Fairmount Jimi & Lonnie also recorded a number of tracks that I'll (for a lack of a better term) call here "backing tracks".
Herman Hitson said in an interview that when he recorded for Brantley the backing tracks (by Ohio Players) were already done when he arrived at the studio. It also seems to have been a quite common practice in 60s soul record producing to recycle an instrumental track (like the re-use of the "Help Me" -backing track for 3 different artists by King Curtis, see the Ray Sharpe -entry).
All of the 45s released from these "backing track" sessions credit Lonnie Youngblood either as an arranger or a co-producer so it's quite likely he was acting as a sort of musical director for Brantley, very similar to what King Curtis was doing for Atlantic. He and Hendrix cut backing tracks with or without the featured artists in the studio, and Youngblood possibly then also helped arrange & record the vocals during the session or at a later date.
This section deals with the following tracks:
(My Girl) She's A Fox [2 takes]
(I Wonder) What It Takes [3 takes]
Under The Table [2 takes]
Wipe The Sweat a.k.a Sweet Thang a.k.a Keep The Faith, Baby [3 takes]
That Little Old Groovemaker [2 takes]
You're Only Hurting Yourself
From these recordings the following records (45s & one LP)
were released circa 1966-68:
(My Girl) She's A Fox - The Icemen
(I Wonder) What It Takes - The Icemen
Sweet Thang - Billy Lamont
Sweet Thang - George Scott (on the lp "Find Someone To Love")
Keep The Faith, Baby - Lenny Howard ( "Sweet Thang" with alt title & lyrics)
That Little Old Groovemaker - Jimmy Norman
You're Only Hurting Yourself - Jimmy Norman
The following could be roughly how these sessions took place:
Session 1
The tracks with the Icemen & Jimmy Norman were all released as two 45s on Samar, also it sounds like one of the Jimmy Norman tracks would have the Icemen on backing vocals. All four released tracks have the respective vocalists credited as composers. Thus it seems possible that the Icemen & Jimmy Norman could all have been at the studio together with the band when the backing tracks were cut. Since they had composed the music that was being recorded instead of simply singing over backing tracks composed & recorded by someone else it seems likely that the vocalists were in the studio with the band. Additionally none of these tracks have ever surfaced as re-makes by other artists (unlike "Sweet Thang") which would indicate that these tracks were cut solely as The Icemen & Jimmy Norman -tracks. "Under The Table" is very similar in mix and instrumentation to the Icemen tracks so could very well be unused material from these sessions. Apparently only an instrumental backing track was cut at the time since the lack of vocals was later compensated for with additional sax & (non-Hendrix) guitar overdubs.
Session 2
"Sweet Thang" / "Wipe The Sweat" / "Keep The Faith, Baby" was cut at a different session. There are two different vocal takes with Youngblood singing and a third take with Jimi & Lonnie both on vocals, additionally the backing track was used for the following releases:
by Billy Lamont as "Sweet Thang"
by Lenny Howard as "Keep The Faith, Baby"
by George Scott as "Sweet Thang"
That's a total of 6 different vocals versions discovered (so far). This track also credits Youngblood as the composer.
My theory is that this track was meant to be used as a backing track for someone else right from the start. It's the only occasion pre-Hey Joe that Jimi sings during a studio session and can hardly be called a great debut, very likely the vocals were done by Lonnie & Jimi just as a bit of fun or to act as a guide for other artists and never meant for release.
Another point of interest is the publishing credits on the various 45 labels. They are as follows:
The Icemen on Samar: BOZART & ZIRA MUSIC INC. - BMI
Jimmy Norman on Samar: BOZART MUSIC, INC. BMI
Billy LaMont on 20th Century Fox: Cudda Pane Music, Inc. - BMI
Lenny Howard on Real George: Bozart Music, Inc.
A search in the BMI database for "Bozart" gives two results:
BOZART CUDDA-PANE
BOZART MUSIC INC
Both have the same registration number thus they are one and the same company.
For all the Lonnie Youngblood 45s on Fairmount the publishing company was Cameo-Parkway Pub. - Nujot Music Pub. Co. - BMI
The difference in publishing credits would also seem to point to different circumstances under which the tracks were recorded with Youngbloods solo material published by Nujot Music and all the "backing track" -material published by Bozart Cudda-Pane.
Unfortunately there isn't any concrete information available about these sessions so whether there were one or more sessions and who was present at which session all remains pure guesswork.
Takes & mixes
Because of the multiple versions of the same track by different artists there is some repetition on the site, a large part of the information on this page is duplicated under the entries for each of the featured vocalists but only for the tracks relevant to each artist:
see The Icemen discography & artists -entries
see the Billy LaMont discography & artist -entries
see the Jimmy Norman discography & artists -entries
see the Lenny Howard discography & artists -entries
see the George Scott discography & artists -entries
What follows here is a listing of all know different takes and mixes on a track-by-track basis regardless of the vocalists (or lack of vocals):
(My Girl) She's A Fox
Composers: Richard Poindexter & Robert Poindexter
Arranged by: Lonnie Youngblood
Recorded at: Unknown studio, New York City, New York, USA ?
Producer: Johnny Brantley
Date: 1966
Vocals: Gino Armstrong, James Stokes (The Icemen)
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Organ: ?
Guitar: Jimi Hendrix
Take 1
Mono version only
Available on: 7" The Icemen: (My Girl) She's A Fox / (I Wonder) What It Takes (Samar S-111)
Also available on: Cd "Before the experience" (Classic Popular CDCD 1172).
Take 2
Different backing track. Stereo version only.
Available on: Lp "Free Spirit" (Thunderbird Records TDR-300)
(I Wonder) What It Takes
Composers: Gino Armstrong, James Stokes,Robert Poindexter
Arranged by: Lonnie Youngblood
Recorded at: Unknown studio, New York City, New York, USA ?
Producer: Johnny Brantley
Date: 1966
Vocals: Gino Armstrong, James Stokes (The Icemen)
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Guitar on take 3: ? (overdubbed later)
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood (some overdubbed later)
Take 1 (0.35)
Stereo version only. Short aborted take.
Take 2 (0.05)
Stereo version only. False start.
Take 3 - Mix 1 (2.34)
Mono and stereo versions. Instrumental backing track with a later guitar & sax overdubs in stereo, commonly titled as "Psycho".
Available on:
Mono version - Lp "For real!" (DJLMD 8011)
Stereo version - Cd "The Magic Collection" (ARC Records MEC 949009)
Take 3 - Mix 2 (2.34)
Mono version only. Vocal version
Available on: 7" The Icemen: (My Girl) She's A Fox / (I Wonder) What It Takes (Samar S-111)
Also available on: Cd "Experiences" (Pulsar PULS 004)
Under The Table
Composer: ?
Recorded at: New York City, New York, USA ?
Producer: Johnny Brantley ?
Date: 1966
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Organ: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Tambourine: ?
It is possible that this track had or was going to have vocals, after the instrumental part in the beginning until c. 1.30 the band settles to playing rhythm, which has been filled up later with guitar & sax overdubs when these tracks were prepared for release. The mix of the original instrumentation is the same as on the stereo mixes of "(I Wonder) What It Takes", chorus sax on the right and the rest of the band in the middle, take 2 has a similar (added later) guitar overdub as take 3 of "(I wonder) What it takes" and the sound & song structure are quite similar too, so most likely these are out-takes from the Icemen single sessions.
take 1 - mix 1
mono mix. chorus sax comes in at 0.35. This is a 0.39 min part of the original basic track.
take 1 - mix 2
stereo mix. Longer 1.33 part of the song, a tambourine overdub on left, an additional chorus sax overdub beginning at 0.10 on right, possibly done at the time. This mix either fades or cuts out depending on the release. Engineer says "this is two" followed by some bits of guitar. The talking is edited out on some releases.
take 1 - mix 3
stereo and mono mixes of the complete take. Beginning c. 1.22 with a solo sax overdub that pans between the channels, this was most likely done when putting together the "Two Great Experiences Together" Lp.
take 2
Mono and stereo mixes.
Wipe The Sweat
Composers: Lonnie Youngblood, Johnny Brantley, Billy LaMont?
Arranged by: T.Staff and Lonnie Youngblood?
Recorded at: Abtone recording studios, New York City, New York, USA ?
Engineer: Abe Steinberg ?
Producer: Johnny Brantley
Date: 10? June? 1966 ?
Vocals: Lonnie Youngblood
2nd vocal on take 3: Jimi Hendrix
Drums: ?
Bass: ?
Piano: ?
Lead guitar: Jimi Hendrix
Rhythm guitar on take 2: ? (later overdub)
Horns: Lonnie Youngblood
Three takes of "Wipe The Sweat" exist. The third one was used as the backing track for "Sweet Thang" and "Keep The Faith , Baby", of course with alternate lyrics.
Take 1 (2.47)
This take has a later rhythm guitar overdub, background horns have been mixed low. Extra sax. Mono and stereo versions.
Available on:
Stereo version - Cd "The Early Years" (Classic Rock CDCD 1189)
Mono version - Lp "For real!" (DJLMD 8011)
Take 2 (3.29)
Background horns have been wiped. Extra sax. Stereo version only.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
Take 3 (2.44)
This is the same basic track used for "Keep The Faith , Baby". The mix is very different to the 45 versions, drums are more up, and together with lead guitar have heavy echo. Background horns are up in the mix. Jimi sings second lead. Mono version only.
Available on: Cd "Jimi Hendrix & The Lonnie Youngblood Band - Rare Hendrix" (Play Collection 10027-2)
…
Original archive name: Jimi Hendrix - The Early Years.EAC.FLAC.CUE.Cvrs.rar
Original folder name: [BM 14] Jimi Hendrix - The Early Years.EAC.FLAC.CUE.Cvrs
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Tracks.TXT
CD: Jimi Hendrix - The Early Years
01. Go-Go Shoes [0:02:52.45]
02. Go-Go Place [0:02:06.72]
03. Soul Food (That's What I Like) [0:03:31.70]
04. Under The Table 1 [0:04:31.30]
05. Under The Table 2 [0:02:53.30]
06. Goodbye, Bessie May [0:02:27.73]
07. Two In One Goes [0:02:16.20]
08. Wipe The Sweat 1 [0:02:51.42]
09. Wipe The Sweat 2 [0:03:33.18]
10. Wipe The Sweat 3 [0:02:46.00]
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http://www.gemm.com/item/HENDRIX-c-JIMI/THE--EARLY--YEARS/GML915775447/
TRACKS: Mestres do blues n.14
Price: $11.80
Category: BLUES
Media: CD
Label: ALTAYA
Manufactured: ES SPAIN
Release Date: 1/1/96
Condition of Media: EX "Excellent" (See this seller's Grading Policies)
Availability: ONE IN STOCK
Last Updated: 2/3/10
Seller Item Ref #: bb014 (Use this when discussing item with this seller.)
GEMM Reference #: GML915775447
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P229 THE EARLY YEARS
Recorded: mid 1966 A355,58 19 Released: Summer 1994
* Go Go Shoes (2) 2:49 * Goodbye Bessie Mae (2) 2:24
* Go Go Place (2) 2:02 * Two in One Goes (1) 2:13
* Soul Food (2) 3:28 * Wipe the Sweat (take 1 (1)) 2:47
* Under the Table (take 1 (3)) 1:33 + 2:53 * Wipe the Sweat (take 2 (1)) 3:29
* Under the Table (take 2 (1)) 2:49 * Wipe the Sweat (take 3 (1)) 2:45
Released by: Charly / CD (Eng) CDCD-1189
Also released as: EARLY DAZE (Hallmark/Charly / CD 304-182 (1996)); part of GROOVE MAKER (Dressed to Kill / CD (U.K.) DTKBOX81 (1998))
Note: Where G lists "Under the Table" take 1 (4), J lists "Under the Table" take 1 (3)
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GO GO SHOES
(s, NYC) mid 1966 with Lonnie Youngblood incomplete, mono (3) [S309]
P167) GO GO SHOES / GO GO PLACE 2:35
P217) ROCK LEGENDS (bootleg) 2:34
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:34
T5) FRIENDS FROM THE BEGINNING 2:34
T23) THE OBSCURE SINGLES 2:34
T24) "DRIVIN' SOUTH" 2:34
T28) THE JIMMY JAMES SINGLES COLLECTION 2:34
P240) TWO GREAT EXPERIENCES / CD 2:33
(s, NYC) mid 1966 with Lonnie Youngblood complete, mono (1) [S324]
P190) FOR REAL 2:48
(s, NYC) mid 1966 with Lonnie Youngblood complete, simulated stereo (2) [S329]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as GO GO SHOES PART 1)
P180) RARE HENDRIX 2:46
(as GO GO SHOES PART I)
HENDRIX 66 2:49
SUPER HENDRIX
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 2:49
P188) THE VERY BEST OF JIMI HENDRIX 2:48
(as GO GO SHOES, PART I)
P193) GOOD TIMES (Intercord/Star Power)
P197) FLASHBACK (51 West) 2:44
P210) COUNTDOWN
P221) MASTERPIECES / CD
GREATEST HITS / CD (Pulsar)
P222) GOOD FEELING / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:49
GROOVE MAKER / CD
P234) RARE HENDRIX / CD
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P240) TWO GREAT EXPERIENCES / CD 2:47
B133a) COLLECTION / CD
T22) FROM THE BEGINNING TO THE START 2:46
Note: The first 5 seconds of Jimi's guitar intro from this track is found at the start of the otherwise fake
GOOD FEELING
GO GO PLACE
(s, NYC) mid 1966 with Lonnie Youngblood incomplete, mono (1) [S310]
P167) GO GO SHOES / GO GO PLACE 1:48
P217) ROCK LEGENDS (bootleg) 1:48
P240) TWO GREAT EXPERIENCES / CD 1:46
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 1:48
T5) FRIENDS FROM THE BEGINNING 1:48
T23) THE OBSCURE SINGLES 1:47
T24) "DRIVIN' SOUTH" 1:47
T28) THE JIMMY JAMES SINGLES COLLECTION 1:47
(s, NYC) mid 1966 with Lonnie Youngblood complete, simulated stereo (2) [S330]
P180) RARE HENDRIX 2:04
(as GO GO SHOES PART II)
HENDRIX 66 2:05
SUPER HENDRIX
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P188) THE VERY BEST OF JIMI HENDRIX 2:01
(as GO GO SHOES, PART II)
P203) JIMI HENDRIX 2:03
(stated incorrectly as GO GO SHOES)
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:02
GROOVE MAKER / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 2:01
T22) FROM THE BEGINNING TO THE START 2:01
SOUL FOOD
(s, NYC) mid 1966 with Lonnie Youngblood mono (1) [S311]
P168) SOUL FOOD (THAT'S WHAT I LIKE) / GOODBYE, BESSIE MAE 2:46
P217) ROCK LEGENDS (bootleg) 2:47
P231) THE LEGEND / CD
P240) TWO GREAT EXPERIENCES / CD 2:46
(with some added reverb)
B144) THE GOLD COLLECTION / CD
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:47
T22) FROM THE BEGINNING TO THE START 2:43
T23) THE OBSCURE SINGLES 2:46
T28) THE JIMMY JAMES SINGLES COLLECTION 2:46
(s, NYC) mid 1966 with Lonnie Youngblood longer, different (vo), stereo (2) [S317]
P141) THE PSYCHEDELIC VOODOO CHILD / CD
P172) TWO GREAT EXPERIENCES TOGETHER! 3:34
(as ALL I WANT)
ROOTS OF HENDRIX 3:31
(as ALL I WANT)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 3:35
(as ALL I WANT)
P193) GOOD TIMES (Intercord/Star Power)
(as ALL I WANT)
P194) HENDRIX 3:27
(as ALL I WANT)
P199) FREE SPIRIT (Accord) 3:31
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 3:31
P203) JIMI HENDRIX 3:30
(as ALL I WANT)
P207) JIMI HENDRIX (Image)
(as ALL I WANT)
P216) GANGSTER OF LOVE / CD
P219) EXPERIENCES / CD
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P227) HOT TRIGGER / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 3:28
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P240) TWO GREAT EXPERIENCES / CD 3:27
E24b) GOLD / CD
B61) SUPERSESSION / CD
GUITAR HERO / CD
B133a) COLLECTION / CD
B338) JIMI / A MUSICAL LEGACY / CD
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but simulated stereo (5)
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 3:35
(as ALL I WANT)
P177) SEGWAY III / ALL I WANT
(as ALL I WANT)
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but narrower stereo, heavier echo (4) [S317]
P140) STRANGE THINGS / CD
JIMI HENDRIX THE COLLECTION / CD
(s, NYC) mid 1966 with Lonnie Youngblood as (2), but edited to run longer (3) [S317]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P175) JIMI HENDRIX (Visadisc)
(as ALL I WANT)
P205) 16 GREAT SONGS
(as ALL I WANT)
P211) LA GRANDE STORIA DEL ROCK VOL. 31: JIMI HENDRIX
P215) SUPER STAR: JIMI HENDRIX
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
UNDER THE TABLE
(s, NYC) mid 1966 with Lonnie Youngblood mono, start only (take 1 (1), Interlude) [S318], [S326]
P172) TWO GREAT EXPERIENCES TOGETHER! 0:39
TWO GREAT EXPERIENCES TOGETHER! (Chess)
P195) ATTENTION! JIMI HENDRIX! 0:39
(as INTERLUDE)
FACES AND PLACES VOL. 12
(s, NYC) mid 1966 with Lonnie Youngblood simulated stereo, start only (take 1 (6)) [S318], [S326]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 0:38
(s, NYC) mid 1966 with Lonnie Youngblood stereo, complete, sax o/d (take 1 (2)) [S319]
P172) TWO GREAT EXPERIENCES TOGETHER! (Chess)
P195) ATTENTION! JIMI HENDRIX! 2:49
FACES AND PLACES VOL. 12
P203) JIMI HENDRIX 2:39
(incomplete)
P222) GOOD FEELING / CD
(s, NYC) mid 1966 with Lonnie Youngblood stereo, inc. + complete part, w/ engineer (take 1 (4)) [S319]
P172) TWO GREAT EXPERIENCES TOGETHER! 1:35+2:48
(as TABLE II)
(s, NYC) mid 1966 with Lonnie Youngblood sim. stereo, inc. + complete part (take 1 (7)) [S319]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 1:36, 2:49
(as TABLE II)
(s, NYC) mid 1966 with Lonnie Youngblood stereo, inc. + complete part, no "engineer" (take 1 (3)) [S326]
P172) ROOTS OF HENDRIX 1:33, 2:48
(as UNDER THE TABLE PART 1)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P186) IN CONCERT 1:33
(as UNDER THE TABLE PART 2; first incomplete version only)
half of 16 GREATEST HITS - HENDRIX
(first incomplete version only)
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 1:33, 2:48
(as UNDER THE TABLE PART I)
P197) FLASHBACK (51 West) 1:32, 2:44
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 1:33, 2:53
GROOVE MAKER / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 1:32, 2:45
(s, NYC) mid 1966 with Lonnie Youngblood mono, inc. + complete part, no "engineer" (take 1 (5)) [S326]
P190) FOR REAL 1:33, 2:47
(as UNDER THE TABLE PT. 1)
P191) FOR REAL (Mag)
(as UNDER THE TABLE PT. 1)
P204) KALEIDOSCOPE 2:51
(as NOBODY CAN CHANGE ME; complete take only)
P221) MASTERPIECES / CD
(as NOBODY CAN CHANGE ME; complete take only)
GREATEST HITS / CD (Pulsar)
(as NOBODY CAN CHANGE ME; complete take only)
(s, NYC) mid 1966 with Lonnie Youngblood mono, no sax o/d (take 2 (2)) [S328]
P141) THE PSYCHEDELIC VOODOO CHILD / CD
P190) FOR REAL 2:49
(as UNDER THE TABLE PT. 2)
P191) FOR REAL (Mag)
(as UNDER THE TABLE PT. 2)
P231) THE LEGEND / CD
B134) JIMI HENDRIX / CD (Weton-Wesgram)
(s, NYC) mid 1966 with Lonnie Youngblood stereo, with sax o/d (take 2 (1)) [S320]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:51
(as TABLE III)
ROOTS OF HENDRIX 2:49
(as UNDER THE TABLE PART 2)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 2:49
(as UNDER THE TABLE PART II)
P192) 16 GREATEST HITS 1:44
(as UNDER THE TABLE, PT. 2; incomplete end)
P194) HENDRIX 1:45
(as UNDER THE TABLE, PT. 2; incomplete end)
P199) FREE SPIRIT (Accord) 2:49
(as VOICE IN THE WIND)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:48
(as VOICE IN THE WIND)
P216) GANGSTER OF LOVE / CD
P219) EXPERIENCES / CD
(as VOICE IN THE WIND)
P220) VOODOO CHILE 2:45
JIMI HENDRIX / CD (Starburst)
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:49
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
E24b) GOLD / CD
E24a) JIMI HENDRIX / CD (Everest)
19 GREAT PERFORMANCES / CD
B133a) COLLECTION / CD
B133) HENDRIX IN WORDS AND MUSIC / CD
(s, NYC) mid 1966 with Lonnie Youngblood simulated stereo, with sax o/d (take 2 (4)) [S320]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:52
(as TABLE III)
(s, NYC) mid 1966 with Lonnie Youngblood stereo as (1), but edited to run longer (take 2 (3)) [S328]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:46
(as VOICE IN THE WIND; incomplete)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P142) THE GREAT JIMI HENDRIX / CD
P173) WIPE THE SWEAT / UNDER THE TABLE
P185) JIMI HENDRIX (Diresa)
P196) THE JIMI HENDRIX COLLECTION
P205) 16 GREAT SONGS
P218) JIMI HENDRIX (Musivoz)
GOODBYE BESSIE MAE
(s, NYC) mid 1966 with Lonnie Youngblood complete, mono, with (hv) (1) [S312]
P168) SOUL FOOD (THAT'S WHAT I LIKE) / GOODBYE, BESSIE MAE 2:30
P217) ROCK LEGENDS (bootleg) 2:31
P240) TWO GREAT EXPERIENCES / CD 2:29
T2) PRE-EXPERIENCE AND RELATED TRACKS PART 2 2:31
T22) FROM THE BEGINNING TO THE START 2:31
T23) THE OBSCURE SINGLES 2:29
T28) THE JIMMY JAMES SINGLES COLLECTION 2:30
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, mono, no (hv) (2) [S316]
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:24
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P238) ...AT HIS BEST / CD
P240) TWO GREAT EXPERIENCES / CD 2:22
B134a) JIMI HENDRIX / CD (Weton-Wesgram)
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, mono, no (hv) (3) [S316]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:23
(as BESSIE MAE)
ROOTS OF HENDRIX 2:25
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:26
(stated incorrectly as TWO IN ONE GOES)
P184) JIMI HENDRIX 2:28
P190) FOR REAL 2:24
P194) HENDRIX 2:23
P199) FREE SPIRIT (Accord) 2:22
(as BESSIE MAE)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:23
(as BESSIE MAE)
P220) VOODOO CHILE 2:22
JIMI HENDRIX / CD (Starburst)
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
E24a) JIMI HENDRIX / CD (Everest)
B61) SUPERSESSION / CD
GUITAR HERO / CD
B338) JIMI / A MUSICAL LEGACY / CD
Note: G says that JIMI / A MUSICAL LEGACY contains "Goodbye Bessie Mae" (1), rather
than "Goodbye Bessie Mae" (3)
Note: mixes (2) and (3) seem to be identical. originally (3) was a mono mix of (2) but there seems
to be no stereo mix.
(s, NYC) mid 1966 with Lonnie Youngblood as (3), but edited to run longer (4) [S316]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:07
(incomplete)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
(s, NYC) mid 1966 with Lonnie Youngblood slightly incomplete, no (hv) (2 or 3) [S316]
P231) THE LEGEND / CD
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P175) JIMI HENDRIX (Visadisc)
P193) GOOD TIMES (Intercord/Star Power)
P205) 16 GREAT SONGS
P214) LA GRANDE STORIA DEL ROCK VOL. 80: JIMI HENDRIX
P239) SHE'S A FOX / CD (Success)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
TWO IN ONE GOES
(s, NYC) mid 1966 with Jimmy Norman & Lonnie Youngblood original single vocal mix, mono (3)
P166) THAT LITTLE OLD GROOVEMAKER / YOU'RE ONLY HURTING YOURSELF 2:12
(as YOU'RE ONLY HURTING YOURSELF)
T28) THE JIMMY JAMES SINGLES COLLECTION 2:12
(s, NYC) mid 1966 with Lonnie Youngblood stereo, instrumental mix (1)
P172) TWO GREAT EXPERIENCES TOGETHER! 2:18
ROOTS OF HENDRIX 2:17
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P193) GOOD TIMES (Intercord/Star Power)
P203) JIMI HENDRIX 1:58
(stated incorrectly as GOODBYE (BESSIE MAE); incomplete end)
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:13
P237) JIMI HENDRIX & THE LONNIE YOUNGBLOOD BAND / CD
P238) ...AT HIS BEST / CD
E24a) JIMI HENDRIX / CD (Everest)
19 GREAT PERFORMANCES / CD
(s, NYC) mid 1966 with Lonnie Youngblood mono, instrumental mix (2)
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:17
(stated incorrectly as BASSIE MAE)
P178) TWO IN ONE GOES / PSYCHO
WIPE THE SWEAT
(s, NYC) mid 1966 with Lonnie Youngblood with stereo o/d (take 1 (1)) [S313]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as COME ON BABY PART 1)
P172) TWO GREAT EXPERIENCES TOGETHER! 2:50
ROOTS OF HENDRIX 2:49
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P184) JIMI HENDRIX 2:50
P189) THE GENIUS OF JIMI HENDRIX (Mercury) 2:49
P192) 16 GREATEST HITS 2:44
P194) HENDRIX 2:43
P195) ATTENTION! JIMI HENDRIX! 2:50
FACES AND PLACES VOL. 12
P197) FLASHBACK (51 West) 2:45
P202) COSMIC TURNAROUND 2:49
(as COME ON BABY I)
P203) JIMI HENDRIX 2:46
P222) GOOD FEELING / CD
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:47
GROOVE MAKER / CD
P232) NIGHT LIFE
PSYCHO / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P235) YOU GOT IT / CD
(as COME ON BABY PART 1)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
(as COME ON BABY (PART 1))
(s, NYC) mid 1966 with Lonnie Youngblood mono, no o/d (take 1 (2)) [S325]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:50
P190) FOR REAL 2:47
(s, NYC) mid 1966 with Lonnie Youngblood mono, vocals and o/ds mixed way down (take 1 (3)) [S325]
P240) TWO GREAT EXPERIENCES / CD 2:47
(s, NYC) mid 1966 with Lonnie Youngblood with o/d (take 2 (1)) [S314]
P134) STRANGE THINGS (Showcase)
COME ON BABY (Jugodisk)
ANOTHER WORLD (Powderworks)
(as COME ON BABY PART 1)
P172) TWO GREAT EXPERIENCES TOGETHER! 3:31
(as SEGWAY II)
ROOTS OF HENDRIX 3:30
(as SEGUE I)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P202) COSMIC TURNAROUND 3:29
(as COME ON BABY II)
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 3:29
GROOVE MAKER / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P235) YOU GOT IT / CD
(as COME ON BABY PART 2)
P240) TWO GREAT EXPERIENCES / CD 3:28
E24a) JIMI HENDRIX / CD (Everest)
B135a) THE CRAZY WORLD OF JIMI HENDRIX / CD
(as COME ON BABY (PART 2))
(s, NYC) mid 1966 with Lonnie Youngblood mono mix (take 2 (2)) [S327]
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 3:31
(as SEGWAY II)
P190) FOR REAL 3:28
(as MORE SWEAT)
P232) NIGHT LIFE
PSYCHO / CD
(s, NYC) mid 1966 with Lonnie Youngblood with o/d, mono (take 3 (1)) [S315]
P172) TWO GREAT EXPERIENCES TOGETHER! 2:45
(as SEGWAY III)
ROOTS OF HENDRIX 2:45
(as SEGUE II)
TWO GREAT EXPERIENCES TOGETHER (Chess)
half of SUPERPAK (Vol. 1)
part of KASSETTE, a 10-LP box set
P174) IN MEMORIAM - THAT UNFORGETTABLE JIMI HENDRIX 2:45
(as SEGWAY III)
P177) SEGWAY III / ALL I WANT
(as SEGWAY III)
P199) FREE SPIRIT (Accord) 2:41
(as WHIPPER)
P201) 20 GOLDEN PIECES OF JIMI HENDRIX VOLUME 2 2:42
(as WHIPPER)
P223) HOUSE OF THE RISING SUN / CD
P224) ABTONE SESSION / CD
P227) HOT TRIGGER / CD
P228) GOOD TIMES / CD
P229) THE EARLY YEARS / CD
EARLY DAZE / CD 2:45
GROOVE MAKER / CD
P231) THE LEGEND / CD
P233) LONNIE YOUNGBLOOD AND THE SO CALLED JIMI HENDRIX TAPES / CD
P234) RARE HENDRIX / CD
P240) TWO GREAT EXPERIENCES / CD 2:43
(s, NYC) mid 1966 with Lonnie Youngblood with o/d, edited to run longer (take 3 (3)) [S315]
P225) FREE SPIRIT (Thunderbolt)
VOICES / CD
CHEROKEE / CD
WHIPPER / CD
P236) RED HOUSE / CD 3:56
(as WHIPPER)
B263a) GREATEST HITS OF JIMI HENDRIX / CD
Note: this version is one channel of the stereo mix to get rid of most of the overdubs.
(s, NYC) mid 1966 with Lonnie Youngblood (uncertain version)
P173) WIPE THE SWEAT / UNDER THE TABLE
(as WIPE THE SWEAT (OFF MY BROW))
P185) JIMI HENDRIX (Diresa)
P205) 16 GREAT SONGS
P207) JIMI HENDRIX (Image)
P211) LA GRANDE STORIA DEL ROCK VOL. 31: JIMI HENDRIX
P213) LA GRANDE STORIA DEL ROCK VOL. 60: JIMI HENDRIX
P239) SHE'S A FOX / CD (Success)
P239) SHE'S A FOX / CD (Success)
P239) SHE'S A FOX / CD (Success)
see also SWEET THANG
see also KEEP THE FAITH, BABY
---
http://www.earlyhendrix.com/youngblood-dates-and-personnel
Dates & personnel
Information given on the various lp & cd releases of these tracks is very inaccurate & confusing, but I'll try to make some sense of it here…
Dates
The recording details given on album liner notes for the Youngblood tracks are often variations of the following:
Produced by Johnny Brantley & Lee Moses
Engineer: Abe Steinberg
Recorded at Abtone recording studios, New York 10 June 1966
This has been considered false information because the Youngblood "Go go shoes" single has a release date of 1963 on the label. But this seems not to be the actual release date of the single:
According to a Fairmount discography page at freespace.virgin.net/rachel.wilson/fairmount.html (now offline) the label released their first title in march 1963, and closed shop in january 1965. I've found two labels with higher catalog number than the undated "Soul food" single (1022), namely 1023 & 1024, and both have 1963 as the date on the label. So thus both of the Youngblood singles appear to have been released in 1963.
There are several things that suggest that the two singles were actually
released much later than 1963.
1. Kees De Lange wrote in the book "Plug Your Ears" that on the single "Sweet Thang" is a reference to Miniskirts and on the single "Go Go Shoes / Go Go Place" Boogaloo is mentioned, both of which became popular in New York around 1965. "Go Go Shoes" also mentions "the Jerk", another dance that became popular circa 1965 (read more about it in the Rosa Lee Brooks -section)
2. A third Youngblood single exists, which doesn't feature Hendrix, "The grass (will always sing for you) / Wooly Bully" was released as Fairmount 1016 (no date on label), which falls between the catalog numbers of the other two singles. The B-side was originally released by Sam The Sham And The Pharaohs in march 1965 on the single "Wooly Bully / Ain't Gonna Move" (MGM K13322), so how is it possible that a Youngblood cover would have been released on Fairmount before the original release came out?
3. There is a version of the "Soul food (that's a what I like)" single on a black & blue fairmount label, with a 1963 date on the label. As this single has a higher catalog number than the single with Youngblood's version of "Woolly bully" this date clearly can't be correct.
4. A test pressing for an Evie Sands 45 "Picture Me Gone / It Makes Me Laugh" (Cameo 413) was sold on eBay in 2003. According to the seller "The label is blank although you can make out a faint impression of a Lonnie Youngblood Fairmont release", thus this disc was being pressed around the same time as one of the Youngblood 45s (Fairmount was a subsidiary of Cameo Parkway). The test pressing was in a plain sleeve with "5-31-66" written on it, thus suggesting it dates from 31st of May 1966.
5. The 1963-dates on the labels have been printed separately from the credits. These move around on the various labels, sometimes well apart from the credits, sometimes overlapping them. Also, the date has been pressed using a different ink (look closely at the pic below), all of this suggests that the labels were pre-printed with a 1963 date and the credits on the various single labels were added apart. Could be that Fairmount had seriously over-estimated the demand for their product and were stuck with a big surplus of labels, printing new ones with a correct date would have meant loss of money.
Label
So it seems that the dates on the Fairmount labels aren't correct, nor the info that Fairmount would have been closed down by January 1965. A US record guide also gives the dates for these singles as follows:
"Go go shoes / Go go place" Fairmount F-1002 - 1966
"The grass (will always sing for you) / Wooly Bully" Fairmount F-1016 - 1966
"Soul food (That's a What I Like) / Goodbye, Bessie Mae" Fairmount F-1022 - 1967
Exactly when these tracks were recorded is unknown, but they are probably from around the same time as the other existing Brantley sessions tracks ie from sometime early 1966.
The label of the Billy LaMont "Sweet thang" -single gives J.Brantley as the Producer, so that is correct.It doesn't mention Lee Moses. I suspect he participated in the "post-production" of these tracks, that is the wiping and overdubbing part when they were prepared for release in the 70s on lps such as "Moods".
It's also been thought that the tracks were recorded in Philadelphia, the Fairmount label being based in that city. Lonnie Youngblood said in an interview published in Univibes issue #24, asked about whether these tracks were recorded in Philadelphia, that they were recorded in New York on 8-track at Abtone recording studios, Broadway between 55th and 56th [street] on the second floor.
It is likely that the songs weren't recorded with a contract for release already in hand, but instead completed first and then circulated around record companies to find someone interested in releasing them. The fact that Brantley produced songs appear at least on such labels as Maple, 20th Century Fox, Samar, Bran-T and Trip supports this theory, plus the fact that "Sweet thang" was only released some 2 years after it was recorded.
The engineers name seems correct too, as Abtone probably is a play on the engineers name "Abe", if this was a small studio the owner might well have been working as an engineer without much or any other staff employed.
But t hese same recording credits are also given for "fake", Billy LaMont, The Icemen & Jimmy Norman tracks, and songs that appeared on the Fairmount singles, which makes taking them seriously a bit hard. Obviously Brantley wouldn't have been too keen on giving accurate info about these recordings as he was trying to pass them along as something which they weren't, so the accuracy of any of the information given by him remains suspect. It's definately hard to believe that all these different songs would have been recorded during one day, but since there is no other information available there is no other option but to belive that at least some ofthem were recorded on the date & location given.
personnel
Musicians appearing on the tracks are usually given as:
Jimi Hendrix: guitar and vocals
Lonnie Youngblood: saxophone and vocals
Herman Hitson: guitar
Lee Moses: guitar
I find it very doubtful that Lee Moses or Herman Hitson play on any of these tracks. All confirmed information suggest that they are strongly connected to the fake songs instead, see that section for more information. Why they got credited on so many releases is a complete mystery. The actual musicians on these recordings that I know of consist of:
Jimi Hendrix: guitar and vocals
Lonnie Youngblood: saxophone and vocals
May Thomas: background vocals
Ace Hall: possibly bass on some tracks
Napoleon Anderson (aka Hank anderson): possibly bass on some tracks
See the "Recordings" -section to see details of the mixes & musicians.
---
http://www.earlyhendrix.com/youngblood-solo-recordings
Solo recordings
Details about when these tracks were recorded and whose playing on them are very hazy resulting in frequent apperances by "?".
Go Go Shoes
Composers: May Thomas - Lonnie Thomas (aka Lonnie Youngblood) - Ace Hall
Arranged by: Lonnie Youngblood
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Backing vocals: May Thomas
Drums: ?
Bass: Ace Hall?
Tambourine: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Mix 1 (2.34)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Go Go Shoes / Go Go Place (Fairmount Records F-1002).
Mix 2 (2.49)
Mono version only. This runs c. 13 seconds longer than the single mix which is cut just before Youngblood says "play some more". This is a different mix compared to the single version, tambourine mixed down, some of the backing sax parts are mixed out, and some guitar parts are different. Easy to hear when comparing the guitar part around the point when Youngblood says "come on and let me see you work" at c. 1.30. There is a "stereo" mix which is only a mono track mixed into one channel and echo on the other one.
Available on: "Stereo" version - Cd "The Early Years" (Classic Rock CDCD 1189)
Mono version - Lp "For real!" (DJLMD 8011)
Go Go Place
Composers: May Thomas - Lonnie Thomas (aka Lonnie Youngblood) - Ace Hall
Arranged by: Lonnie Youngblood
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Drums: ?
Bass: Ace Hall?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
A continuation of "Go Go Shoes", though there is a short piece of music missing between the two.
Mix 1 (1.48)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Go Go Shoes / Go Go Place (Fairmount Records F-1002).
Mix 2 (2.02)
A "stereo" mix, which is only a mono track mixed into one channel and echo on the other one. This runs c. 14 seconds longer than the single mix which is cut a few seconds after Youngblood says "blow your horn Youngblood, blow your horn". This is a different mix compared to the single version, some of the backing sax parts are mixed out, and some extra guitar parts added. Easy to hear when comparing to the last few seconds before the single version fades out.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
Soul food (That's a What I Like)
Composers: Lonnie Thomas (aka Lonnie Youngblood) - Napoleon Anderson (aka Hank Anderson)
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Percussion: ?
Drums:?
Bass: Napoleon Anderson (aka Hank Anderson) ?
Organ: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Take 1 (2.46)
Available on: 7" Lonnie Youngblood: Soul food (That's a What I Like) / Goodbye, Bessie Mae (Fairmount Records F-1022).
Take 2 (3.28)
Stereo mix. This is a very different version. Drums are lower in the mix, only one of the two guitar parts is present here, the single version has unaccomppanied intro sung by Youngblood whereas this version starts directly with music and runs much longer. Less vocal parts & different lyrics.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
(A version of this track released on the cd "The Collection" (Object OR0071) has been said to be an alternate stereo mix, but this sounds like the same mix to my ears. On this cd the sound quality is a bit worse than usual, and the track has been altered with the channel that has the congas lower and the stereo image much narrower. Either this has been done on purpose or it's a consequence of using a poor quality tape for the mastering of this cd, in any case it's not really a different mix.)
Goodbye, Bessie Mae
Composer: Lonnie Thomas (aka Lonnie Youngblood)
Recorded at: ?
Engineer: ?
Producer: Lonnie Youngblood
Date: 1966
Vocals: Lonnie Youngblood
Backing vocals: ?
Drums: ?
Bass: ?
Tambourine: ?
Piano: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Mix 1 (2.31)
Original single mix, in mono.
Available on: 7" Lonnie Youngblood: Soul food (That's a What I Like) / Goodbye, Bessie Mae (Fairmount Records F-1022).
Mix 2 (2.24)
Mono mix. Tambourine mixed up, backing vocals mixed out, shorter than the single version as it fades out c. 6 seconds earlier just as Youngblood starts to says "go ahead jimmy play the blues baby" and Hendrix goes into a solo.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
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http://www.earlyhendrix.com/youngblood-backing-tracks
Backing tracks
In addition to the solo recordings released under Lonnie Youngbloods name on Fairmount Jimi & Lonnie also recorded a number of tracks that I'll (for a lack of a better term) call here "backing tracks".
Herman Hitson said in an interview that when he recorded for Brantley the backing tracks (by Ohio Players) were already done when he arrived at the studio. It also seems to have been a quite common practice in 60s soul record producing to recycle an instrumental track (like the re-use of the "Help Me" -backing track for 3 different artists by King Curtis, see the Ray Sharpe -entry).
All of the 45s released from these "backing track" sessions credit Lonnie Youngblood either as an arranger or a co-producer so it's quite likely he was acting as a sort of musical director for Brantley, very similar to what King Curtis was doing for Atlantic. He and Hendrix cut backing tracks with or without the featured artists in the studio, and Youngblood possibly then also helped arrange & record the vocals during the session or at a later date.
This section deals with the following tracks:
(My Girl) She's A Fox [2 takes]
(I Wonder) What It Takes [3 takes]
Under The Table [2 takes]
Wipe The Sweat a.k.a Sweet Thang a.k.a Keep The Faith, Baby [3 takes]
That Little Old Groovemaker [2 takes]
You're Only Hurting Yourself
From these recordings the following records (45s & one LP)
were released circa 1966-68:
(My Girl) She's A Fox - The Icemen
(I Wonder) What It Takes - The Icemen
Sweet Thang - Billy Lamont
Sweet Thang - George Scott (on the lp "Find Someone To Love")
Keep The Faith, Baby - Lenny Howard ( "Sweet Thang" with alt title & lyrics)
That Little Old Groovemaker - Jimmy Norman
You're Only Hurting Yourself - Jimmy Norman
The following could be roughly how these sessions took place:
Session 1
The tracks with the Icemen & Jimmy Norman were all released as two 45s on Samar, also it sounds like one of the Jimmy Norman tracks would have the Icemen on backing vocals. All four released tracks have the respective vocalists credited as composers. Thus it seems possible that the Icemen & Jimmy Norman could all have been at the studio together with the band when the backing tracks were cut. Since they had composed the music that was being recorded instead of simply singing over backing tracks composed & recorded by someone else it seems likely that the vocalists were in the studio with the band. Additionally none of these tracks have ever surfaced as re-makes by other artists (unlike "Sweet Thang") which would indicate that these tracks were cut solely as The Icemen & Jimmy Norman -tracks. "Under The Table" is very similar in mix and instrumentation to the Icemen tracks so could very well be unused material from these sessions. Apparently only an instrumental backing track was cut at the time since the lack of vocals was later compensated for with additional sax & (non-Hendrix) guitar overdubs.
Session 2
"Sweet Thang" / "Wipe The Sweat" / "Keep The Faith, Baby" was cut at a different session. There are two different vocal takes with Youngblood singing and a third take with Jimi & Lonnie both on vocals, additionally the backing track was used for the following releases:
by Billy Lamont as "Sweet Thang"
by Lenny Howard as "Keep The Faith, Baby"
by George Scott as "Sweet Thang"
That's a total of 6 different vocals versions discovered (so far). This track also credits Youngblood as the composer.
My theory is that this track was meant to be used as a backing track for someone else right from the start. It's the only occasion pre-Hey Joe that Jimi sings during a studio session and can hardly be called a great debut, very likely the vocals were done by Lonnie & Jimi just as a bit of fun or to act as a guide for other artists and never meant for release.
Another point of interest is the publishing credits on the various 45 labels. They are as follows:
The Icemen on Samar: BOZART & ZIRA MUSIC INC. - BMI
Jimmy Norman on Samar: BOZART MUSIC, INC. BMI
Billy LaMont on 20th Century Fox: Cudda Pane Music, Inc. - BMI
Lenny Howard on Real George: Bozart Music, Inc.
A search in the BMI database for "Bozart" gives two results:
BOZART CUDDA-PANE
BOZART MUSIC INC
Both have the same registration number thus they are one and the same company.
For all the Lonnie Youngblood 45s on Fairmount the publishing company was Cameo-Parkway Pub. - Nujot Music Pub. Co. - BMI
The difference in publishing credits would also seem to point to different circumstances under which the tracks were recorded with Youngbloods solo material published by Nujot Music and all the "backing track" -material published by Bozart Cudda-Pane.
Unfortunately there isn't any concrete information available about these sessions so whether there were one or more sessions and who was present at which session all remains pure guesswork.
Takes & mixes
Because of the multiple versions of the same track by different artists there is some repetition on the site, a large part of the information on this page is duplicated under the entries for each of the featured vocalists but only for the tracks relevant to each artist:
see The Icemen discography & artists -entries
see the Billy LaMont discography & artist -entries
see the Jimmy Norman discography & artists -entries
see the Lenny Howard discography & artists -entries
see the George Scott discography & artists -entries
What follows here is a listing of all know different takes and mixes on a track-by-track basis regardless of the vocalists (or lack of vocals):
(My Girl) She's A Fox
Composers: Richard Poindexter & Robert Poindexter
Arranged by: Lonnie Youngblood
Recorded at: Unknown studio, New York City, New York, USA ?
Producer: Johnny Brantley
Date: 1966
Vocals: Gino Armstrong, James Stokes (The Icemen)
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Organ: ?
Guitar: Jimi Hendrix
Take 1
Mono version only
Available on: 7" The Icemen: (My Girl) She's A Fox / (I Wonder) What It Takes (Samar S-111)
Also available on: Cd "Before the experience" (Classic Popular CDCD 1172).
Take 2
Different backing track. Stereo version only.
Available on: Lp "Free Spirit" (Thunderbird Records TDR-300)
(I Wonder) What It Takes
Composers: Gino Armstrong, James Stokes,Robert Poindexter
Arranged by: Lonnie Youngblood
Recorded at: Unknown studio, New York City, New York, USA ?
Producer: Johnny Brantley
Date: 1966
Vocals: Gino Armstrong, James Stokes (The Icemen)
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Guitar on take 3: ? (overdubbed later)
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood (some overdubbed later)
Take 1 (0.35)
Stereo version only. Short aborted take.
Take 2 (0.05)
Stereo version only. False start.
Take 3 - Mix 1 (2.34)
Mono and stereo versions. Instrumental backing track with a later guitar & sax overdubs in stereo, commonly titled as "Psycho".
Available on:
Mono version - Lp "For real!" (DJLMD 8011)
Stereo version - Cd "The Magic Collection" (ARC Records MEC 949009)
Take 3 - Mix 2 (2.34)
Mono version only. Vocal version
Available on: 7" The Icemen: (My Girl) She's A Fox / (I Wonder) What It Takes (Samar S-111)
Also available on: Cd "Experiences" (Pulsar PULS 004)
Under The Table
Composer: ?
Recorded at: New York City, New York, USA ?
Producer: Johnny Brantley ?
Date: 1966
Drums: ?
Bass: ?
Piano: Richard Poindexter?
Organ: ?
Guitar: Jimi Hendrix
Horns: Lonnie Youngblood
Tambourine: ?
It is possible that this track had or was going to have vocals, after the instrumental part in the beginning until c. 1.30 the band settles to playing rhythm, which has been filled up later with guitar & sax overdubs when these tracks were prepared for release. The mix of the original instrumentation is the same as on the stereo mixes of "(I Wonder) What It Takes", chorus sax on the right and the rest of the band in the middle, take 2 has a similar (added later) guitar overdub as take 3 of "(I wonder) What it takes" and the sound & song structure are quite similar too, so most likely these are out-takes from the Icemen single sessions.
take 1 - mix 1
mono mix. chorus sax comes in at 0.35. This is a 0.39 min part of the original basic track.
take 1 - mix 2
stereo mix. Longer 1.33 part of the song, a tambourine overdub on left, an additional chorus sax overdub beginning at 0.10 on right, possibly done at the time. This mix either fades or cuts out depending on the release. Engineer says "this is two" followed by some bits of guitar. The talking is edited out on some releases.
take 1 - mix 3
stereo and mono mixes of the complete take. Beginning c. 1.22 with a solo sax overdub that pans between the channels, this was most likely done when putting together the "Two Great Experiences Together" Lp.
take 2
Mono and stereo mixes.
Wipe The Sweat
Composers: Lonnie Youngblood, Johnny Brantley, Billy LaMont?
Arranged by: T.Staff and Lonnie Youngblood?
Recorded at: Abtone recording studios, New York City, New York, USA ?
Engineer: Abe Steinberg ?
Producer: Johnny Brantley
Date: 10? June? 1966 ?
Vocals: Lonnie Youngblood
2nd vocal on take 3: Jimi Hendrix
Drums: ?
Bass: ?
Piano: ?
Lead guitar: Jimi Hendrix
Rhythm guitar on take 2: ? (later overdub)
Horns: Lonnie Youngblood
Three takes of "Wipe The Sweat" exist. The third one was used as the backing track for "Sweet Thang" and "Keep The Faith , Baby", of course with alternate lyrics.
Take 1 (2.47)
This take has a later rhythm guitar overdub, background horns have been mixed low. Extra sax. Mono and stereo versions.
Available on:
Stereo version - Cd "The Early Years" (Classic Rock CDCD 1189)
Mono version - Lp "For real!" (DJLMD 8011)
Take 2 (3.29)
Background horns have been wiped. Extra sax. Stereo version only.
Available on: Cd "The Early Years" (Classic Rock CDCD 1189)
Take 3 (2.44)
This is the same basic track used for "Keep The Faith , Baby". The mix is very different to the 45 versions, drums are more up, and together with lead guitar have heavy echo. Background horns are up in the mix. Jimi sings second lead. Mono version only.
Available on: Cd "Jimi Hendrix & The Lonnie Youngblood Band - Rare Hendrix" (Play Collection 10027-2)
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